Each of them has its own attacks, combos and abilities that you can use. There are only two weapons in the game - the scythe of Death and the crucifix. Throughout the game you will need to deal with hordes of demons that have filled the underworld, overcome monstrous bosses that surpass Dante in size and strength. Death is the first boss in the game, which the player will have to defeat and get her weapon - a scythe with which Dante will crush demons. In this difficult adventure he will meet hordes of hellish monsters, bosses, difficult decisions, a lot of pain and suffering, but true love is worth it.Īlmost at the very beginning of the game, Dante is mortally wounded and Death itself comes for his soul, with which our hero enters into a fight for his life. On this, our hero decides at all costs to achieve the release of Beatrice and goes to the depths of hell to go through all its nine circles. Dante watches as the devil himself appears behind her soul and now she is in his hands. When our hero gets home, he discovers that his beloved Beatrice has been killed. But he soon began to understand that the crusades were not at all what they initially seemed and decides to leave them, return home to his beloved. The plot of the game tells us about a knight named Dante, who took part in the crusades for the promised forgiveness of sins. On the whole, three or so good things but the rest makes Langdon's hair significantly less floppy in comparison.Dante's inferno - a slasher-style game with RPG elements.
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Even worse a story that just doesn't compel, with its over-explanatory at times, but even more frequently convoluted, nature, and pacing that is so jumpy but at the same time so pedestrian that there is the sense that the writers and Howard had no idea what to do with the material and when and how to bring urgency into it. The rest of the cast either overact or are wasted in caricature roles, with no sense of threat present.įurther disadvantaging them are a very corny script, with countless lines of clunky and awkward dialogue that sounds confused, overly-condensed and disorganised. Felicity Jones has a very underwritten character with little backstory and incomplete motivations and it shows in delivery and range lacking in expression, a very going-through-the-motions performance. Cast-wise, only Hanks rises above his material. Ron Howard's direction is a mess, it is hard to believe that somebody who has a Best Director Oscar and has done some very good to outstanding work directed in a way that suggested more first time director learning (or more like struggling to learn) the ropes, finding urgency is a constant struggle and then he paces things in a rushed and erratic way.ĭespite the stunning locations and nice location work, 'Inferno' is cheapened by some haphazard editing and over-reliance on high-speed tracking shots that suggest a cinematographer drunk on the job and have a dizzying effect, actually felt rather woozy and sick after seeing the film. This said, the ending doesn't single-handedly bring 'Inferno' down, as there are other just as glaring problems too. As has been said already, the worst thing about 'Inferno' is the ending (which, also agreed, was the thing that elevated the book to a greater level, the ending in the book was that good), rendering everything seen in the film and all the events in the book useless in an ending that felt like a tacked on cop-out that reeked of production/studio interference. However, that is pretty much all that was good. Tom Hanks again gives his role an easy-going charm and effortless authority, there is not much personal at stake seemingly here for Langdon but Hanks is always watchable and gives his all. Hans Zimmer's music score is haunting once again and accentuates the thriller mood of the film, though it was orchestrated more cleverly before. There is not much that saves 'Inferno', but it does have to be said that the locations are truly stunning with some nice location work that makes one wish that they belonged in a much better film. Unfortunately, the latest film 'Inferno' is no better, in fact all the mistakes made in 'Angels and Demons' are made here and made bigger while a few more grievous ones are made. Personally didn't mind 'The Da Vinci Code', though it was a long way from great, but 'Angels and Demons' while with some good things was lacklustre. Reviewed by TheLittleSongbird 3 / 10 The third, and worst, of the Langdon-Hanks-Brown-Howard films